“A fascinating tale of visionary aesthetics and… sublime structures” – Steve Dollar, THE WALL STREET JOURNAL 　　In 1961, three young, visionary architects were commissioned by Fidel Castro and Che Guevara to create Cuba’s National Art Schools on the grounds of a former golf course in Havana, Cuba. Construction of their radical designs began immediately and the school’s first classes soon followed. Dancers, musicians and artists from all over the country reveled in the beauty of the schools, but as the dream of the Revolution quickly became a reality, construction was abruptly halted and the architects and their designs were deemed irrelevant in the prevailing political climate. Forty years later the schools are in use, but remain unfinished and decaying. UNFINISHED SPACES charts the journey through almost boundless creative ambition, the destructive force of bureaucracy, and the aftermath on the lives of the architects. It’s a stunning film, both in narrative and photographic terms. 　　(Directed by Alysa Nahmias, Benjamin Murray, USA, 2011, 86 mins, NR) HD Digital Presentation

“A fascinating tale of visionary aesthetics and… sublime structures” – Steve Dollar, THE WALL STREET JOURNAL 　　In 1961, three young, visionary architects were commissioned by Fidel Castro and Che Guevara to create Cuba’s National Art Schools on the grounds of a former golf course in Havana, Cuba. Construction of their radical designs began immediately and the school’s first classes soon followed. Dancers, musicians and artists from all over the country reveled in the beauty of the schools, but as the dream of the Revolution quickly became a reality, construction was abruptly halted and the architects and their designs were deemed irrelevant in the prevailing political climate. Forty years later the schools are in use, but remain unfinished and decaying. UNFINISHED SPACES charts the journey through almost boundless creative ambition, the destructive force of bureaucracy, and the aftermath on the lives of the architects. It’s a stunning film, both in narrative and photographic terms. 　　(Directed by Alysa Nahmias, Benjamin Murray, USA, 2011, 86 mins, NR) HD Digital Presentation

Alastair Sooke explores the mysterious appeal of unfinished works of art. From Dickens's unfinished The Mystery of Edwin Drood and Jane Austen's Sanditon to Coleridge's Kubla Khan, he talks to those who have attempted to finish these literary enigmas and those who believe that any such task is impossible. 　　In a film that picks through literature's leftovers, Sooke explores the moral dilemmas as well as the commercial opportunities finishing presents. And he considers how, in the modern era, artists have purposefully left their work unfinished. 　　Paul Morley, Mark Lawson, John Mullan, Robert McKee, Sarah Churchwell, Gwyneth Hughes, Andrew Motion and Mike Figgis amongst others, help Sooke work his way through a never-ending story.

Alastair Sooke explores the mysterious appeal of unfinished works of art. From Dickens's unfinished The Mystery of Edwin Drood and Jane Austen's Sanditon to Coleridge's Kubla Khan, he talks to those who have attempted to finish these literary enigmas and those who believe that any such task is impossible. 　　In a film that picks through literature's leftovers, Sooke explores the moral dilemmas as well as the commercial opportunities finishing presents. And he considers how, in the modern era, artists have purposefully left their work unfinished. 　　Paul Morley, Mark Lawson, John Mullan, Robert McKee, Sarah Churchwell, Gwyneth Hughes, Andrew Motion and Mike Figgis amongst others, help Sooke work his way through a never-ending story.

The unique film set within a Karaja village in Brazil's Mato Grosso, Jim Jarmusch listens while Sam Fuller describes the 1950's "Tigrero" movie that he was unable to make. It also profiles the Karaja people. The non-film "Tigrero" had a fascinating history. The name was purchased off a novel by 20th Century Fox by Darryl F. Zanuck. Screen writer Fuller was sent to Brazil to come up with the story. There between two jungle rivers, he meets the Karajas who allow him to film their ceremonies and their village. Upon returning, he wrote a blockbuster film which would have starred John Wayne, Tyrone Power, and Ava Gardner. Because it was to be filmed in the dangerous jungle, Fox nixed the project. A lot of this movie focuses on Jarmusch interacting with the natives. The two also discuss Fuller's career and religion. ~ Sandra Brennan, All Movie Guide

理想主义者的记者Ozan即将与同职业的Elif结婚。 Ozan在追踪一个神秘而艰难的新闻。 然而一场交通事故夺走了Ozan的生命。 但是，受上天垂怜，Ozan借尸还魂，以他人的身体重生。 好不容易捡回一条命的Ozan有两项艰巨的任务：找出谁杀死了他，并告诉Elif所有事实。

理想主义者的记者Ozan即将与同职业的Elif结婚。 Ozan在追踪一个神秘而艰难的新闻。 然而一场交通事故夺走了Ozan的生命。 但是，受上天垂怜，Ozan借尸还魂，以他人的身体重生。 好不容易捡回一条命的Ozan有两项艰巨的任务：找出谁杀死了他，并告诉Elif所有事实。

The unique film set within a Karaja village in Brazil's Mato Grosso, Jim Jarmusch listens while Sam Fuller describes the 1950's "Tigrero" movie that he was unable to make. It also profiles the Karaja people. The non-film "Tigrero" had a fascinating history. The name was purchased off a novel by 20th Century Fox by Darryl F. Zanuck. Screen writer Fuller was sent to Brazil to come up with the story. There between two jungle rivers, he meets the Karajas who allow him to film their ceremonies and their village. Upon returning, he wrote a blockbuster film which would have starred John Wayne, Tyrone Power, and Ava Gardner. Because it was to be filmed in the dangerous jungle, Fox nixed the project. A lot of this movie focuses on Jarmusch interacting with the natives. The two also discuss Fuller's career and religion. ~ Sandra Brennan, All Movie Guide

讲述意大利共产党领导人安东尼奥·葛兰西于1929年－1933年在图里的法西斯监狱里的经历。

讲述意大利共产党领导人安东尼奥·葛兰西于1929年－1933年在图里的法西斯监狱里的经历。